張鈞傑CHUN-CHIEH CHANG

EXHIBITORS

張鈞傑CHUN-CHIEH CHANG

當我開始創作繪畫時,野獸派建築的牆壁是最重要的元素。在下雨的時候,我特別喜歡現代建築的牆壁。水沿著表面向下滴落,留下逐漸染色的痕跡,長時間形成形狀和滴水痕跡的線條。混凝土材料讓我想到了下層階級的象徵。沒有靈魂,灰色,搖搖欲墜的混凝土結構。我認為很多事情都是不完美的。沒有任何東西沒有缺陷。當我們仔細觀察事物時,我們常會看到這些缺陷。當事情開始瓦解並接近原始狀態時,它們變得更不完美,更不規則。我陶醉於崩潰,污漬,腐爛,裂縫和不完美。這就是我選擇混凝土或水泥材料的原因。對我而言,我的作品代表了和諧,不美和不完美的價值觀,並且可以讓我在焦慮面前增強我的韌性。因為如果我的聽力惡化,接受不可避免的恐慌會引起極度的焦慮,所以我需要創作我的作品面對焦慮。即使我的作品看起來不漂亮,也不完美。但是可以讓我感到平靜。 When I start to create paintings, the brutalist architectural wall is the most important element. I am particularly fond of walls of modern buildings when it is raining. The water drips down along the surfaces, leaving traces that gradually stain, forming shapes and lines over long periods of time. The concrete material is that symbol of the underclass. Soulless, gray, crumbling concrete structures. I think many things are imperfect. Nothing that exists is without imperfections. When we look really closely at things, we see the flaws. As things begin to break down and approach the primordial state, they become even less perfect, more irregular. I am intoxicated with crumbles, stains, decay, crack, and imperfection. That is why I choose concrete or cement material.  For me, my works represent a values harmony, unbeauty, and imperfection, and can strengthen my resilience in the face of anxiety. Because acceptance of the inevitable blare out extremal anxious if my hearing being deteriorated so I need to create my works to face anxiously. My works do not look beautiful but are imperfect. They let me feel peace.