914 黃俊嘉

EXHIBITORS

黃俊嘉

Huang  Chun- Chia

或許說起來很玄,大概連自己都沒想到從前的我造就了今日的我。一直以來,寫寫字成為日常生活的一部分,拿起軟筆看似塗塗抹抹,卻也無的放矢在平面上自由揮灑,那是我永遠不會忘記的任彼端延續自體情感,或是一種紀念、一種認同,當下所有不可見成為一種可見。 可以說,開啟毫端生命啟示,乃是無意間的創作機緣:「對書法藝術這件事的看法」。點畫即步伐、墨韻即穿衣、空間即伸展,這般偌大的自由國度,展示東方餘韻印記,一條長長道路,是直行,亦有轉彎餘地,能真實上演出於本色的精彩故事。 唐張懷瓘曾言:「深識書者,惟觀神采,不見字形。」有形且無形、有彩即無彩,在生命動人處是那般燦爛「人間」理想。真能紙筆契合,再看其奧妙,書寫軌跡歷歷在目,不論有無完美,往往在最動情之處……

Maybe it sounds very mysterious, maybe I didn’t even think that the the past which made me who I am today. For a long time, writing has become an important part of my daily life. Picking up a brush pen seems like a scribble on a piece of paper , but it is also symbolize the freedom to express myself through the strokes. Commemoration, a kind of identification, all the invisible in the present becomes a kind of visible. It can be said that the opening of life revelation is an unintentional creative opportunity: “Views on the art of calligraphy”. Stippling means steps, ink rhythm means dressing, and space means stretching. It shows the imprint of the oriental rhyme. A long road is straight, and there is room for turning. It can truly show a wonderful story in its true color beneath all. During Tang Dynasty , Zhang Huaigan once said: “Those who know books deeply, only look at the spirit, but not the shape of the characters.” Tangible and invisible, color is no color, in the moving part of life is such a brilliant ideal “man’s world “. Which able to match the pen and paper, and then look at its mystery, the writing trajectory is vivid in my mind, whether it is perfect or not, it is often in the most .